Jim Mather’s conversation with the arts and culture people in Argyll yesterday got a lot of things moving. The turn events took in the afternoon also threw up big issues to kick around. This seems like a good time for everyone, makers and audiences of all sorts of artistic activity in Argyll, to open up and share aspirations, ambitions, good practice, insights, irritations, plans and invitations.
Let’s start with a look at the role of what we call ‘the arts’ in life. They are inseparable. Life is indivisible from art. We make sound. We sing. We dance. We use space to enable. We use colour, light, mass, angles, curves, the tactile to manage our environment, our reaction to it and what we offer to others. We juxtapose because we know intuitively that any creation is more than the sum of its parts. We find ways of representing inner and outer realties to offer to others to consider. We use words to shade, texture, ground and float meaning and emotion. And the urge to narrative is inescapable. It is the way we do what we can to shape and direct the anarchic life around us.
None of this is dependent on any agency beyond ourselves, or on funding, or on structures or even on recognition. We do it first for ourselves; and then, when we choose, to share.
This is the art nothing – not even repression – can stifle. Societies lacking the freedom of speech and controlled by censorship have traditionally found their own ways of going underground in private performances and in using the ambiguity of art to ‘say’ things in the codes of image which censors cannot demonstrate with certainty to be subversive.
But like everything else, the vitality of art lies in innovation and development. For those who choose this road, it involves opportunities to perfect an innate craft, to hone and move skills closer to perfection, to learn from others, to face diverse challenges, to experiment. And this requires resources, tuition, travel, challenge, mentoring, sharing and showing.
Then there are those – all of us – who benefit from receiving the experience of art as well – or instead – of making it. We use it to balance and extend our life experience, to come to terms with it, to intervene in it – and to enjoy it.
If the experiences are good enough, if they are attuned to our needs and if we grow to understand their value to us, we will pay for them. If they aren’t, why should others pay for them for us?
What sort of ground-up structure and infrastructure would best support these needs and breathe oxygen into the arts world, seeing it work to be self-supporting at the least?
Brecht said: ‘Food comes first. Morals follow on’. Government’s have utterly defensible priorities in line with this value set. Art can never be at the same level in the pecking order of statutory provision as health or education, although it has symbiotic relationships with both.
So where do we start? What have we got? What can we do for ourselves? What do we want to see in Argyll? What will fit this place? And what’s the blue skies thinking?
- Abolish all state subsidy – let die whatever people don’t want enough to pay for?
- Liberate battery art – open the doors to all Art Galleries and let people come and take whatever they like and give it a good home?
- Dump on ebay all the surplus art that’s never, or rarely, on show and has to be expensively – or ruinously – stored and maintained – and use the money to pay for new facilities and grow new art?
- Nominate and elect our Arts representatives to Creative Scotland or whatever emerges from the catfight? Have non-party-political Arts constituencies, reps, manifestos, hustings and online elections? Let them come courting us? Make them accountable at the sharp end of a vote and get some new energy going?
Use the Respond facility below this and keep the ideas and comments coming – and comment on comments. For Argyll will make sure that the debate will get the attention it deserves. There a lot of capacity, innovation, ability and drive in the arts and culture scene in Argyll. Let’s make it stick.